The Makes We Make Again And Again

Forming a carefully curated library of timeless patterns is as essential as building up your own yarn collection.   The patterns that make up my own tend to be those that first come to mind when I’m thinking about gift knitting, and more often than not, they are also the perfect solution to that age old question, “what can I make with this single hand dyed skein that I couldn’t do without?”

I went in search of a classic fingering weight ribbed hat to cast on ahead of my long journey on the Megabus to Yarningham last July and found ‘Ribbed Toque #120’ by Michelle Porter (Fondle Designs.)  Then I had a good rummage in my yarn collection before picking out a skein of ‘You Can’t Seee Meee’ by Lime & Violet.  Completed long after I made it home, and following my turn to catch The Virus, it’s snug and ready for the chilly Scottish winter ahead:



Since that time I’ve made one for My Favourite Person, who needs functional garments as he works in all weathers all year round.  His was made from a cone of JC Rennie Shetland Bluestone which I found in a local charity shop for the princely sum of 50p!



But I didn’t stop there.  My third – and maybe not – final version of the year is this one in ‘Bride of Frankenstein’ by BuzzinYarns, which will be given to a friend as a winter gift alongside a pre-loved book next month.



For more about the pattern

Ribbed Toque #120 by Michelle Porter is available free* from LoveCrafts here:  ribbed-toque


For more about buzzinyarns

BuzzinYarns is Karen, a Scottish yarn dyer, and recipient of the Spirit of the Festival Award at the 2022 Perth Festival of Yarn.  You can find her current collections here:  buzzinyarns


Our Collab Club

The Perth Collab Club – a monthly yarn club – was originally formed at the end of 2020 as a way of our festival working together and continuing to lift up indie dyers in our community when so much still remained uncertain with the pandemic and Brexit looming.  We settled on a ‘Brighter Days’ theme, reached out to 12 different dyers so we could feature 1 a month, and like most things Perth, it was planned to be a one-off project.

The response to our Collab Club was so enthusiastic that we decided to do it all again with 12 different dyers in 2022 – and a new theme – Hit Parade.  Why Hit Parade?  Music has always been an extremely important part of my life.  It’s what moved me at 17 from the West Coast of Scotland to Perth, where I, armed with my saxophone, came to get my degree in Popular Music Performance.

Music provides the soundtrack to our lives.  We all remember what was playing in the background at key moments.  We are sung lullabies to soothe us as babes; couples have “their song.”  Buying a record and taking it home for the first play was always an event in itself.  Having saved up pocket money and – latterly – wages from babysitting and a paper round – there was not much more exciting as a teenager than to greedily take in every little detail of the cover art – and if you were lucky the gatefold too – before pouring over the lyric sheets.

Today we share the details for our 2023 Collab Club, but before we do that Pop-Pickers, we thought we’d take a moment and run down all the skeins that made up our virtual jukebox this year:



FibrePunk kicked us off in January with ‘Post’ by Björk, followed in February by Quack Yarn with ‘Insomniac’ by Green Day, and Knit Me Sane’s ‘Oh, Billy Brown!” by Mika in March.



April featured Giddy Yarns with ‘The Chances of Anything Coming from Mars are a Million to One’ from The War of the Worlds by Jeff Wayne, followed in May with BuzzinYarns and ‘Kind’ by Stereophonics, and Curated Yarn Co’s ‘Purple Rain’ by Prince and the Revolution in June.



In July we had Bow Fiddle Yarns with ‘Hysteria’ by Def Leppard, Mad Madam Mel with ‘Hounds of Love’ by Kate Bush in August, and Edelweiss Fibres chose ‘Hot Fuss’ by The Killers for September.



Then to bring us up to date we’ve had AMOyarn’s ‘Like a Bat Out of Hell’ by Meat Loaf in October, ‘NOW! That’s What I Call…’ from the compilation series by Weku Yarn for November, and to close out the year Atthis Yarns and ‘Last Christmas’ by Wham!  (pre-orders are still open for this one here:  perth-collab-club

If you came to Perth Festival of Yarn in September then you may have seen the display jukebox that My Favourite Person built as a surprise, and because he too loved seeing how all the dyers translated their inspiration over the year.



When thinking about what we should do for 2023 there was no doubt in my mind that we should keep this theme for a while longer; so I present to all of you – Hit Parade Vol.2 featuring the following artists:



Sealy MacWheely, Bobble & Badger Yarns, James Makes Yarn, Dystopic Fibre, WooSheeps, YarnTings, Hey Mama Yarns, Blue Fern Yarns, Big Tree Yarns, Nervus Fibre, Flyy Dyed, and Nightingale Knits.


Cartha Crafters

Cartha Crafters is a brand new social group in Glasgow with an emphasis on needlecraft skills such as quilting and patchwork; although knitters and crocheters are also welcome.


Meeting every Sunday between 2pm and 4pm at the Club House Committee Room, Cartha Queens Park Rugby Club, 92 Drumbeck Road, entry is (currently) free but please help support the club by purchasing a drink or snack to enjoy while you’re there.  For more information please contact their Facebook page



Wild Knits – A New Scottish Video Podcast

The Team and I are partial to a new textile crafting podcast, and we get extra excited whenever we happen across a fresh Scottish offering.

Enter Wild Knits who premièred their first episode just ten days ago.  Maria is originally from Germany and currently lives in Glasgow.  Her projects are miniature and joyful as she’s on maternity leave, and I particularly loved the way she has incorporated some playful embroidery work into her projects.


Like, subscribe, and watch her first episode below:




What I Wore At Perth 2022

One of my favourite things about being a Festival Director is following our Community when they are deciding what to make to wear to our events, and then seeing those finished items in person.  I am always inspired by what I see and love hearing the stories behind your pattern and yarn choices when we come together.

Each year I focus on making myself a new shawl to wear at Perth.  I do so much running around that a shawl is a practical choice, and I love spending my down time at home snuggled up with my cats and a book while swaddled in knitted fabric.  This year I couldn’t choose between two designs, so what else is a girl to do but to make both!

Having had my first squish of Aister ‘oo’ at our Scottish Wool Producers Showcase in April, I came home with enough yarn to make my own Khyber Pass by Simone Kereit – also known online as OwlCat Designs.  It’s unusual that I want similar colours to the original design, but I couldn’t think of a more perfect colour pairing than that Simone had chosen, so I picked up Bessaquoy, Nort Blue Geo, and Blinnd Moorie.



Here I am on Saturday at the Festival.  Our amazing photographer, Lightpress Design, captured the back of my shaw while I said hello to the Knitting Patternista and Mad Madam Mel at the Podcaster Meet-Up, then got me to pose with my best exhausted but proud face.



Here are the not so glamourous “just off the needles” and “blocking in progress shots to show the fabulous stitch definition that Aister ‘oo’ gives.


for more details about the pattern

Visit the OwlCat Designs website here

Khyber Pass is only available to purchase on Ravelry.  If that is not accessible to you we would recommend using the contact form on their website to ask for an alternative.


for more about aister ‘oo’

Aister ‘oo’ will be making their return to the Scottish Wool Producers Showcase on 25 March 2023.  If you can’t wait that long then you can find out more about their story and see their current colour range here


Shape Inclusivity: The Next Step In A Great Fit


If you’re a garment-making yarnie, you’ve almost certainly heard the term “size inclusivity”.  In the knitting and crochet world, this is generally accepted to mean that, at a minimum, the finished garment will fit a person whose full bust measurement is somewhere between 30-60” (75-150cm).

Despite a much-needed and laudable increase in size inclusive garment patterns in the last few years, there are still plenty of people who struggle to create garments that fit them well.  Ironically, it’s often the exact same people who struggle to find ready-to-wear clothes that fit them, and who maybe turned to making their own in the hopes of a better fit – which makes sense, because clothing companies and garment designers are using similar size charts to grade their patterns.  But it’s not very fair, is it?

What’s even more unfair is that there isn’t a simple solution to this one. It’s not a case of grading to a bigger size range (and even that, I have to acknowledge, is only simple in concept); it’s a case of constantly evaluating every pattern, every construction method, every design we come up with in order to find new ways to make it fit bodies that don’t fit the size charts.

Sometimes that modification might be really easy, like knitting a few more rows to make a garment longer, or something that’s already well established, like adding bust or waist shaping.  But there are plenty more innovations yet to be discovered, and some of them are so simple, but somehow not yet the standard.

Drop shoulder garments are having a bit of a moment, and it’s easy to see why; their simple construction method is accessible both to designers and knitters, making it easy to place design elements or take a first step into garment knitting.  However, I had never been able to make one myself as a knitter, because the sleeves were always too tight for my big biceps, and having a seam there just made it all the more painful to wear. It was only once I started thinking about designing my own garments that I realised the oh-so-simple (once you think of it!) solution: just mix and match!

Because a drop shoulder garment’s body meets its sleeves in a simple straight opening with no shaping, it’s really easy to do that.  The designer is already grading the body and sleeves separately; if you want to put a larger (or smaller) sleeve on the same body size, all you need to do is leave a larger (or smaller) opening.

Isn’t it simple once you think of it?  And the best part is, once you understand how this little hack works, you can apply it to any traditionally constructed drop shoulder pattern, so long as there’s a size that’ll fit your body and another that’ll fit your arms.

But – and of course there’s a but – this is still putting the onus on the knitter to make a modification in order to get a good fit, and that’s the kind of thing that can really wear a person down and make them fall out of love with their craft.

So, what I’m hoping for is that designers will join me in adopting mix and match body and sleeve sizing for their drop shoulder designs as standard, allowing knitters to pick and choose and find a fit that works for them.  It means a little more thought in how to structure the pattern’s instructions, how to label your sizes, and how to communicate sizing information pre-purchase, but it also means a much wider audience will feel confident that your pattern will fit them.

There are of course many other ways in which bodies don’t fit the standard size charts, and that’s why there’s a catch-all term to group them together: shape inclusivity.  It’s a big area with a lot of different needs, but by listening to fat yarncrafters when they talk about their own bodies and fit challenges, I’m hopeful that us designers can come up with more and more ways to be innovative and inclusive.

Here are my top tips on things to look for to identify size and shape inclusive patterns:

  • An inclusive size range of at least 30-60” / 75-150cm at the full bust (note – this is the body measurement, not the finished garment)
  • Patterns that share the schematic and measurements pre-purchase, so you can be certain of a good fit
  • Patterns that include instructions and yardage alterations for modifications / options, such as altering the length, adding waist or bust shaping, or mix and match body and sleeve sizing
  • Information about the designer’s starting point / fit model; do they start with a straight size model and size up, or do they start with a fat model?
  • Patterns shown on a range of body types; check to see how the areas you struggle to get a good fit on look on each of the bodies (e.g. do the larger bodies have wide gaping necklines compared to the smaller bodies?)

Designers who have thought to communicate all this with you pre-purchase are usually actively working to be both size and shape inclusive, and there’s a much better chance that you’ll be able to achieve a good fit with their patterns.


About the Author

Victoria Marchant has been designing knitting patterns for fat bodies since 2020.  She specialises in novel construction methods that allow knitters to mix and match body and sleeve sizing so that whether your body fits the size chart or not, you can get a perfect fit every time.



About Roseability

Roseability’s innovative mix and match body and sleeve sizing and drop shoulder construction is forging a new path in size and shape inclusivity.  With 12 body and 12 sleeve sizes, a total of 144 combined size options, Roseability also includes instructions to adjust the length of both the body and the sleeves, including a short-sleeved tee option.  All of this information is given pre-purchase, along with a swatch guide and schematic.  This makes it possible for you to work out exactly which size to knit, exactly how much yarn you’ll need, and exactly which needles will give you gauge, so you can be confident that you’ll obtain the results you want before making the purchase.

Purchase Roseability from Victoria’s site here: